Webcomics Wednesday: When Webcomics Go Bad

I didn’t start this weekly feature to bash on webcomics, although sometimes…

I was reading a page of Sister Claire (a fantastic, tongue-in-cheek webcomic about a nun-in-training who gets chosen to give birth to god’s next savior) when I was intrigued by a Project Wonderful ad on the page. And then I stumbled upon one of the worst things I’ve ever seen in webcomic form.

Olympic Dames is about a bunch of teenage girls who are suddenly impregnated in their dreams by some ancient Greek gods, judging by the fact that Pan orchestrates the whole event.

What follows is something that does have fairly decent art (for a relative amateur) had this person not decided to be so lazy that they never got further than pencils and breaking the fourth wall to tell the readers that they were too lazy draw a car or a group of people. Aside from that and some very wacky spinal anatomy, the art’s alright.

What really sucks is the story. Not only does the idea of a bunch of teens being chosen for immaculate conception bother me to no end, the writing is just confusing as hell. The transitions suck so hard that at first I couldn’t make heads or tails of the story and I only read through approximately 6 years of it because I knew I had write this post. I wish I could say the writing improved over time, but the improvements are minimal because their execution is still terrible. If you read it, you’ll know I’m right.

It’s pretty clear to me that the creators, or at least the writer, are either pregnancy fetishists (not necessarily the sexual kind of fetishists, but they certainly enjoy the idea) or they thought this up in high school when getting pregnant sounded like the craziest idea ever.

Either way, I’m disappointed. In Sister Claire, the pregnancy is gradual and isn’t even the main focus 0f the webcomic. Instead, the main character Claire takes part in a larger battle between good and evil, has zany adventures and is challenged. Any deus ex machina the creator throws in are handled with aplomb, like it’s the most natural thing in the world to the “deus” side of the equation. In Olympic Dames, the girls wake up so pregnant that half of the people who look at them assume they’re two seconds shy of their water breaking, their parents don’t notice a thing or are conveniently missing, their teachers are informed it’s for a scholarship and the pregnant students have received  extraordinary super-powers. Pan, the person behind the pregnancies, forgets to do stuff like get the girls out of gym class and is often flustered when the girls confront him.)

What’s even more incredulous is that out of the four girls who are impregnated, only one is truly depressed by her sudden change of state. The other girls either brush it off, are only pissed for a second and one has even been yearning to get pregnant to the point where she falls asleep with pregnancy suits on because she loves the idea so much. On top of that, after an attack on depressed girl and her unborn children, the others show her that she has to accept her “responsibilities” until the end and she learns that her childhood friend has suddenly realized his love for her and her ginormous baby belly.

Pregnancy is supposed to be a beautiful thing and clearly some people can approach it with that same respect and wonder, but this webcomic just makes me feel totally squicky about it. On top of that Olympic Dames, has super-lazy art and a confusing plot. There’s nothing good about this webcomic unless you’re the type of person who gets off on Octomom. I wouldn’t be surprised if it was created solely for that purpose.

What’s the worst webcomic you’ve ever read? Why is it awful?

Posted in opinion, reviews, webcomics | Tagged , , , | 2 Comments

Discussion: Where's your anime and manga community?

When I first got into manga ten whole years ago, there was no one around me who liked the stuff. My last year of middle school was the first year of torment as no one at my (very small) school had any interest in it and most thought Pokemon was for little kids and losers. I gained friends interested in manga outside of my school (it was a K-12 school) during high school, but it was a rather small community that mostly consisted of me, my best friend and our crappy taste.

That all changed when I reached higher education. I was looking for a school where I could get a fresh start and Cal Poly, San Luis Obispo gave me the opportunity to ditch my immature high school classmates and gain a surprisingly awesome anime club.

I found Minna no Anime (their name, in case you’re looking for a university solely based on their anime club) instantly and was so excited by the idea that my school had an anime club that I started attending right away. It was a bit off-putting at first because I wasn’t a huge anime watcher and I didn’t know anyone. Then they announced their weekly Minna no Manga meeting, that consisted mostly of hanging out and reading manga. Minna no Manga gave me the chance to actually meet some people in the club and make friends. (And read manga.) It was such a great atmosphere that I attended both club meetings religiously right away. Over my 4+ years attending the school, I loathed to miss any of the meetings. I still long for my friends there now that I’m way too far away to drive up there every Thursday and Saturday evening.

Through my friends there I learned a lot about anime, manga and the world of fans. I had so much fun, it’s kind of tempting to go back to Cal Poly for graduate studies or another bachelor’s degree or just live in the area so I can keep going. Yeah, that’s how much I love this group of crazy kids. I even made a slide show and a video about the club before I graduated.

Since I’m feeling a bit lonely with my friends, I’ve even started thinking about starting a similar club in Los Angeles, since my area suffers from lack of a nearby college with an anime club. I’m still dreaming it up, but it’d be a fun regular even for a local comic book shop or a library if either was willing to host one. (So, if you live in the Los Angeles/Hollywood/West Hollywood area, let me know if you’re interested!)

What’s your anime and manga community like? Are they a group of friends or an organized club? Where you guys hang out and what do you usually do? Let me hear about all your fun times with your anime and manga friends!

Posted in manga | Tagged , , , | 15 Comments

Life of a (Rookie) Editor: It's Not Easy Being Green

Just as a preface, there might not be another Webcomics Wednesday for awhile as I’ve run out of general ideas. Perhaps going to Alternative Press Expo in a few weeks will help me pick up some new material, but the Wednesday after the convention I’m having my gall bladder removed. It’ll be a fairly minor surgical procedure, but I will be staying at the hospital overnight and might be too loopy to blog for a few days afterward. I’ll try to coordinate some guest posts to keep you folks entertained.

Meanwhile, it’s been ages since I posted about how my life as a manga editor is going. As a warning, this post is going to sound a little dismal, but do not think I’m giving up. That is absolutely not the case.

I love being a manga editor. I really really love that part. The difficult part is being a freelancer. I don’t make a lot of money yet and when I talked to another freelancer friend who works in manga (albeit a different, more labor-intensive position), I got super-jealous to find out what she made. I basically realized then that I’m probably never going to make enough money to survive off freelance editing alone, at least not in the long run. If I were to get a full-time position, that would be another story.

It’s really tough being in my position, especially in this economy. Like most people my age, I’ve graduated college at a horrible time and jobs are hard to come by. Most of my friends who aren’t still in college or  have already managed to wrangle themselves something cannot not find a better job than pouring coffee at Starbucks most of the time. Very few of us have been able to build enough experience to easily get jobs and many jobs want lots of experience these days.

Making things worse for myself, specifically, the manga industry is a really niche industry that’s been hit hard recently. Go!Comi and Aurora have folded, CMX shut down, Viz had massive layoffs and Del Rey Manga just kind of folded and passed the baton to Kodansha USA. There aren’t a lot of places left for me to find work, even on a freelance basis. There are so many things I’d like to do, start my own publishing business or my own comic book store. But with horror stories happening left and right, this doesn’t feel like the right time. Not to mention, I’m not experienced enough to handle either at the moment.

That’s one of the reasons why I’d love a full time job. I want to experience how a publisher works more before I start a business. Either that or I’d love to get a job at a bookstore in order to better understand how they work. (But I can’t do that until after my surgery… maybe bookstores will be hiring for the Christmas rush then!)

I’ll stop complaining now. I’m still working on ways to make a better living, it’ll just take a little time and doing, like most things do, and I’ve got the rest of my life to do it!

On a more positive note, I’d like to introduce my second client, who will be debuting their first line this month, iSeeToon. They are based in Seoul, Korea and will be publishing webtoons for the iPhone and iPad (manwha/webcomics that are run through a sort of flash player is the best way I can describe it.) Their first webtoon will be Magician, which I did the English adaption for and edited. I hope you guys will check out their blog (just click the link on their name) and try out the webtoons when they come online.

On that note, I should probably get back to doing some other iSeeToon work so I will leave you with a link to the ANNCast I was on last week. Thanks to Zac Bertschy for having me.

Posted in manga | Tagged , , , , , , , | 15 Comments

Del Rey Folds; Kodansha USA to Take on Their Titles

If you pay attention to manga news at all, you’ve probably heard that the Del Rey Manga imprint has folded and Kodansha USA will be taking over on a title-by-title basis. The manga blogging community has been sharing the news as fast as it possibly can. Melinda Beasi was the first to post after Deb Aoki broke the news over Twitter.

Some are saying this is no surprise after it was revealed that Del Rey had no new volumes being released after November 2010.

While it certainly feels a bit upsetting, there is hope for the future of your favorite manga being published by Del Rey. For one, it seems like Kodansha might be getting serious. But at the same time, Kodansha USA has an awful publishing track record, having only done re-releases of Akira that were no different from the old Dark Horse version.

No doubt that right now Kodansha is looking to get their shit in order and isn’t thinking like an American fan who might be grieving at what they see as a loss. Here are some suggestions for them to transition a little bit more smoothly and ease the minds of fans…

1. Do a Q&A panel at NYAF– It seems Kodansha has pulled their panel at NYAF this weekend, which has caused more panic in fans than understanding. Most likely, the people at Kodansha USA feel like they just don’t have anything to tell their fans yet. Forget that. Turn off the PR speak and turn it into a Q&A panel and beginning sharing the details behind this move. If it’s possible, tell the fans when they can start to expect new Kodansha releases, even if specific titles aren’t set in stone yet. It’ll assuage manga fans fears that Kodansha is just a giant corporation toying with their feelings. I’m sure that NYAF will be more than happy to prioritize getting a Kodansha panel back up, so do it ASAP! (And if NYAF is no longer a possibility, I suggest finding the next large anime con and setting up a panel immediately.)

2. Actually publish something new- I’m pretty sure that most manga fans would breathe a sigh of relief if they heard Kodansha was releasing a new volume of an old series or a new title at all. This one is pretty simple, so my suggestion to Kodansha is that you work on this first. Just name one new, never-before-published-in-America volume of manga and when it will be published. If Kodansha wants to keep all the attention it’s getting right now, try and do this before the end of October. The end of the year at the most. Once we get into 2011 and we STILL haven’t heard a single peep from the company, fans will not think well of Kodansha USA at all. My guess is that this change has been relatively long in coming, so Kodansha must have an idea what’s going to be published first and foremost by now.

3. Make a big splash- Ever since Kodansha started pulling the licenses of their titles from American manga publishers, Kodansha has been much like Cuba–everyone else can get the cigars, but Americans can’t. There are many fantastic titles hidden in the Kodansha vaults, so please, Kodansha, don’t keep all the top notch Cohibas locked away in a drawer. Publish Sailor Moon or another popular title that fans have been clamoring for and our attention will be solidly fixed on Kodansha. I know this goes against the previous suggestion, but if it’s done in tandem, I think it could really work well for Kodansha.

There are, no doubt, more things Kodansha could do at this point, but these are what the company needs to do in order to show us it’s not just for show.

Here’s some titles I think Kodansha should publish as soon as possible…

Sailor Moon Omnibus– Omnibi are a great way to get a re-release out to the masses. Plus Sailor Moon is old enough that while many fans think of it fondly, there are plenty more fans who have NEVER gotten the chance to read it, but have probably heard so much about it. Really a no brainer.

Hataraki Man Well, Kodansha (or at least the English-language site for the Japanese side of things) thinks this manga is good enough to be profiled on the site! I personally love this manga, so this suggestion is a tad bit biased, but the shoujo manga that Del Rey published was usually well-received and this is just a tad bit more mature…

Hajime no Ippo or Ashita no Joe– Kodansha, this is your chance to show us the classics that we always hear about in manga. These two get referenced left and right in manga. I know sports manga doesn’t have the best track record, but perhaps these two are good enough to change the minds of US manga fans everywhere. I know I’d certainly be curious since I can think of about 10 different manga that have mentioned Ashita no Joe off the top of my head. (There are more, I just know it.)

Saint Young Men I can tell you right now that a number of people think this manga is too controversial for the US just because it portrays Jesus (despite the fact that it’s pretty tame, I know.) Controversy tends to be a great bookseller, so surprise us all and take a leap of faith. I’m sure your company will get tons of exposure and I’m sure that’s something Kodansha could use right now.

One last bit of advice, Kodansha. Just blow our minds RIGHT NOW and we will be your manga-buying slaves for a long, long time. Right now you’ve nothing to lose by being quick, but you’ll lose a lot by being lazy or paranoid about what you can tell us yet. This is the time for a fast and loose game.

Posted in manga, opinion | Tagged , , , | 20 Comments

Is There Anything Wrong With Self-Censorship?

I know I’m a little late for Banned Books Week, but I had a discussion with Moritheil on Twitter the other day that turned from why people were more enraged about a certain webcomic’s rape joke and not a Colombian telenovela about an abused girl living in poverty to a debate on censorship and self-censorship. I feel like the debate needs a bit of further exploration.

First of all, I’m against any form of legal censorship. I would never ever want to legally ban a book, a theme or any other thing that would hinder creators from expressing something in their works. However, journalism ethical standards were pounded into me during college. Not only was I required to take a class purely on ethics, but many of my other degree-related classes talked about ethics as well. What I took away from those classes is that your article, novel or other form of creative work could very well hurt a person or cause them to harm themselves. Every professor I had classes with had a story where an article they wrote and published caused a subject to kill themselves or lose something that impacted them a lot, like a job, their family, etc. There were many other times when one of their subjects would threaten to do harm if they published the article. Whenever such stories came up, my classmates and I wound up being questions on what we would do. Did we risk publishing if it meant someone was harmed? Was there something else to be gained by going ahead and printing it? Even when there was some benefit behind it all, how did we feel knowing that we might have blood on our hands? It was heavy stuff to consider when none of us had ever published much more than local news stories.

While I wouldn’t say this issue comes up much on this blog, my twitter or the other places I write the most, I have been thinking about the potential emotional and physical impact creative works have on other people. There have been more than a few webcomics that have taken jabs at rape, women and other things that weren’t funny to a lot of people who got very mad about said jokes.

But forget for a second the people who are able to get loud and vocal about it, what about the people who don’t speak up? What about the men and women who were raped? What about the women who are mistreated every day by men? What about jokes about murder or suicide, for example, and how it affects those who lost someone? How does it feel to be a victim of rape, abuse and murder and read these jokes? It must hurt a lot, I imagine. Yet do creators stop to think about who they’re hurting as they write these gags? Doesn’t seem like it.

Comics creators are one of the creators that think the most about whom they’re creating for. Living with one creator, having read manga for so long, it’s obvious to me that a lot of them think about “will this sell” and “will my audience like this.” While a lot of comics creators love what they do immensely and do it in part to fulfill their needs to create what they love, very few never think about who’s going to be reading. But do they think about who they hurt at the same time? Sometimes, but I’d really like to see them do it more. Here’s where self-censorship comes into play.

I’ll reiterate that I don’t want to put any bans on any creators. What I would to do is encourage creators, especially comics creators, to think about whom they might hurt with a joke and make the choice whether or not that needs to be their punch line. Would they actually change their material because they stopped to think about it? I don’t know and it’s up to them.

On the other hand, plenty of creators do this all the time. They decide whether or not a certain subject would be appropriate for what they are doing, tossing out ideas left and right that they are against or think their audience would react poorly to.

Now, dear readers, do you think trying to encourage creators to think about those who might be negatively affected by their work is outright censorship? What about self-censorship? How do you feel about comics creators choosing to specifically avoid certain jokes and topics? Is it wrong for people to be enraged and hurt by creators who choose to include such topics? Are we oppressing these creators’ choices by saying we’d like to see more sensitive punchlines or are our values as a society changing ahead of some creators’?

What do you think?

Posted in comics, opinion | Tagged , , , | 5 Comments

Happy 1st Blogoversary, All About Manga!

Woohoo! One year! 😀

Last summer I decided to take a blogging class. I figured that since most of my journalism professors were crying over the upcoming death of print media, I should become more familiar with this blogging stuff that was going to pretty much take over print media. When the class started, the professor told us to make a blog. I made this one.

In one year I’ve managed to write over 100 posts, get over 700 comments (OK, half of those are probably mine, but still not too shabby!), been on more than a few podcasts, people who know me and my blog when we meet  and more hits that I could have ever dreamed of when I first started this blog.

Here are some highlights of the past year…

The top 20 posts:

  1. Ten REALLY GOOD Ways to Buy and Not Steal Manga (It’s fitting that this is the top post. ^_^)
  2. Why is Manhwa not as popular as Manga? (I really wish this post wasn’t so popular…I’ve since changed my views on manhwa A LOT)
  3. Comics & Girls: We want to kick ass (One of two posts with the most comments for this blog! Also my first troll!)
  4. Interning in the Manga Industry: My Advice (So happy this one is in the top five! I’m so proud of this post.)
  5. The Great Manga Gift Guide: SHOJO STYLE! (One of the posts that started getting me recognized by others.)
  6. Anime Expo: Day One (Admittedly, this post is probably only popular because it was posted on the AX forums…)
  7. Causing the Death of an Industry (Yes, this post is alarmist, but it’s a good way to imagine the what ifs.)
  8. Jews in Anime and Manga (What happened when I answered one of my own questions…)
  9. Layoffs for Viz; Death Rattle for Go!Comi (One of the saddest posts I’ve written after the one on CMX’s demise.)
  10. Scott Pilgrim/Mighty Fine T-Shirt Contest (My first contest! It was so much fun and I can’t wait to do more!)
  11. The Manga Cliche Review: Musical Talent Part 2 (An old review concept… I’m not sure why this one is so popular. o_0)
  12. Gakuen Alice on the Fast Track (Thank you to Marco for giving me this inside tip.)
  13. Osaka Considering the Regulation of Female-Oriented Manga (I still don’t fully understand why Osaka didn’t target ecchi manga too, a real headshaker.)
  14. Hetalia: You Should Read This Manga Even If You Don’t Want To (Yes, I am not above shameless self-promotion. I worked hard on that manga!)
  15. Fandom Hierarchy: Should We Be Allowed to Hate? (Sparked by an intense Twitter discussion.)
  16. 10 Years of Lovin’ Manga (My 10th anniversary as a manga fan, followed by everyone sharing their own manga stories.)
  17. Prostitution in Manga (Probably one of the hardest posts I’ve had to write. I wish I could develop this into a real research project.)
  18. Discussion: Why Do Readers Shun Shoujo? (I was beginning to realize how I could create more discussion on the blog. It worked!)
  19. Comic Book Movies: Astro Boy (Another old post that’s popular for reasons I don’t understand. I guess it’s not a bad post, but I wish this post was more popular. I never saw the movie in the end.)
  20. Manhwa Controversy (My response to the outrage at my first post on manhwa… Yeah, I was totally wrong.)

I’ve pretty much figured out that opinion, not reviews, is my strong point, but maybe in the future I can work on that a little more or bring someone on with me to do reviews. (Anyone interested?)  I’d also like to make a little money off of ads or book referrals, but I haven’t figured out the best way to do that yet. There’s still so much I don’t know about blogging!  (There’s still so much I don’t know about other stuff either…)

After I finished my first internship at TOKYOPOP and started this blog, I realized something that had been stirring in the back of my mind– I really did not want to be a journalist. At the time, it was an enormous problem for me. If I didn’t want to do journalism and if this whole manga editing thing didn’t work out, what was I going to do for a living? And while this blog doesn’t make me any money, it’s certainly helped me build my reputation up more and allowed me to make so many friends. This blog kept my head above water when I was drowning in uncertainty and lead me to a island that I might be able to call paradise.

In the mean time, I’m going to continue doing this blog, continue editing manga for a living and maybe some day in the future I hope to open up my own business. Maybe a publishing company, maybe a bookstore, I’m not sure yet.

Thank you, everyone, for what you’ve given me over the past year. You’re the ones who’ve made me and this blog a success.

So much love,

Daniella Orihuela-Gruber

Posted in manga, Uncategorized | Tagged , , , | 12 Comments

The 14th Dalai Lama: A Manga Biography

The 14th Dalai Lama: A Manga Biography is an educational manga by Tetsu Saiwai being published by Penguin Paperbacks, available in stores Sept. 28th. While it covers what you’d expect from a biography, it doesn’t give readers a montage of important events throughtout the long, eventful life the current Dalai Lama has lived so far using a distant third-party voice. Instead, it focuses what made Tenzin Gyatso a world-renown leader in the first place, China’s invasion of Tibet, using the Dalai Lama himself as a narrator. The manga starts with the death of the 13th Dalai Lama and proceeds quickly through finding Tenzin as a boy, his childhood and his quick rise to power in the face of adversity. Then it gets down to the nitty gritty of what went down with the Chinese  government, the Dalai Lama’s exile from the government and wraps up with a quick look on how he’s tried to run a nation from outside its borders.

First of all, I was really excited to read this manga. I love learning about history and I think Asian history is some of the most fascinating stuff out there that we rarely get to study in school. Clearly, I am the right audience for this manga, just to let you know because it affects my opinion a little.

But regardless of that, I feel like the approach that Saiwai took with this manga is interesting. A lot of biographies in illustrated form that I’ve seen tend to gloss over the details in favor of packing an entire life in a certain amount of pages. Reading history via a highlight reel is a bit boring to me and I can imagine it’s worse for people less interested in history. Instead, Saiwai uses the Dalai Lama’s voice and thoughts to narrate his biography. The focus is placed not on dozens of separate events, but what was probably the most dramatic period of the Dalai Lama’s life,  turning this into a story, not history. There’s war, drama, betrayal, torture and tears to prove it.

Things do go a little quickly at times, but Saiwai really only rushes through Gyatso’s childhood, pausing to show us how he was found to be the 14th Dalai Lama, and what he does after his exile in India.  But do we really need to see page after page of the young spiritual leader learning the intricacies of Buddhism? I really don’t think so. While I would have liked to see a bit more of what the Dalai Lama did after his exile, that might get a bit complicated and boring at times too and would up the page count significantly. So we are treated to a semi-happy ending, showing the prosperity and freedom from persecution of the Tibetan people in India instead. I should mention that the Tibetan people play a considerable role as a group character that affects the Dalai Lama’s decision making, which I found appropriate to include. It certainly makes the decisions made throughout the book a lot easier to understand and history is made just as much by the people as it is by the world’s leaders.

The reader hopefully comes away with a better idea of what happened (although admittedly, it is quite one-sided) and why it was wrong. I am still quite fond of the way Saiwai has written this educational manga and it is noted that Saiwai worked together with the Dalai Lama’s liason office for Japan/ East Asia in order to create the 1st person tone of this manga on top of using numerous films, speeches and source material about and from the Dalai Lama. The result is quite good. It doesn’t sound like PR schlock, which I’m sure the liason’s office might have wanted to force unto Saiwai, or any sort of Buddhist evangelism. Saiwai specializes in educational manga on human rights issues and reading The 14th Dalai Lama: A Manga Biography made me want to look at the other issues he has covered via manga. I imagine that is the best sort of reaction an educational/historical manga could hope for.

The art is pretty functional. It doesn’t really fit neatly into any one genre’s typical style, so it feels easy to read, which is a good fit for a biographical manga. My one big complaint is that everyone has bug eyes. While this may just be a style quirk, it hinders being able to see the characters emotions. More than once, a character would cry and it would take me a second to realize what they were doing exactly. It also made some characters a bit hard to distinguish because there were very few other features to set them apart from one another. In the end, the art’s nothing to get excited about, but it’s certainly not bad. I rather liked the way Saiwai drew the detailed embroidery on Tibetan clothing. It certainly isn’t super-intricate Kaoru Mori style, but it’s cute and gets the idea of embroidery across. The art does seem a little bit old-fashioned, which might turn off some readers, who prefer super-slick styles, but anyone who loves an old Tezuka manga won’t be turned off.

In conclusion, I’d say this manga is worth buying for anyone who loves history, Buddhism, Asian politics or is just plain interested in what happened, but doesn’t want to read a long string of Wikipedia pages. This manga will give you what happened to the Dalai Lama a nice linear fashion from his own perspective. By historical research standards, yes, it is one-sided, but this could be easily solved by a bit of  side research by the reader if they care to see it. By biography standards, the one-sidedness is fine.

While I was writing this review, Jason Thompson tweeted about a Buddhist commenter on another blog (he didn’t share the link, so sorry for not providing it), that said this biography was a Chinese government plot to discredit Buddhism. I want to let you readers know that this is false. The entire book is about the single most important Buddhist leader in the whole entire world, and while the focus isn’t on Buddhism itself, the manga clearly shows why this man is considered the reincarnation of Buddha himself. If discrediting Buddhism was the intent of the manga, it sure failed spectacularly at that! (And it doesn’t make the Chinese government look that great either.) Later tweets from Jason suggested that the commenter may just dislike comics or something. Oh well!

Review copy provided by the publisher.

Posted in manga, reviews | Tagged , , , , , , | 5 Comments