Anime Los Angeles 2011

Anime Los Angeles is a sleepy little convention held in the LAX Marriott every year, right after all the hustle and bustle of the holidays has died down. I usually attend Anime Los Angeles for only one day, mostly to visit friends who come down from various parts of the state. This year, however, I attended a second day on behalf of TOKYOPOP in order to give away a few volumes of Hetalia to fans attending a panel.

I’ve found that Anime Los Angeles is mostly for two kinds of people: cosplayers and people who want to gawk at or take photos of cosplayers. My cosplay days being far behind me, there wasn’t much else to do at Anime Los Angeles other than hang out or attempt to peruse the tiny and very cramped dealer’s hall.

The live programming also consists of mostly cosplay workshops and a number of panels I will collectively title “Being An Old School Anime Fan”. The rest consisted of scattered how-to panels, martial arts demos and a few specific fandom panels like the Hetalia History one I attended. Bandai Entertainment did hold a panel, but after a bit of searching around on the internet, I’ve surmised that nothing big or exciting came of it. While I was there for two days, I wound up just going home at around 2 p.m. each day because there wasn’t anything of interest to do.

The only purchases I made at the con consisted of a Princess Jellyfish button commissioned from a friend in the Artist’s Alley, a mini-comic from Gina Bigg’s Red String and a cellphone charm also from Red String.  This was in part due to the fact that I spent a fair amount of money on comics during the preceding week, but also because the dealer’s room was just too damn packed. This happens to be one of my biggest issues with the convention right now.

Anime Los Angeles has clearly grown in attendance, but over the past three years, it hasn’t upgraded to a larger facility. Now, it’s clearly time to change that because it’s much too hard to move down a hallway in a timely manner, in part due to all the cosplayers/photographers. Another thing that could stand to fixed is the shoddy reception inside the hotel’s convention floors. It’s affected groups of my friends and myself at this year’s con and at previous cons, so I’ve no doubt it is happening to a lot of other attendees. I realize this is the responsibility of the hotel, not the convention, but someone should start lodging complaints and a complaint will be better received by an entity that generates so much business for them instead of just one or two convention goers. Otherwise, Anime Los Angeles is kind of a great convention. They provide free snacks and beverages for attendees, put up pretty pictures of cosplayers from previous years on their walls and include fun participatory stuff like badge ribbon scavenger hunts. The con could be really great if there was a little extra breathing room and better cell phone service.

But enough complaining, it’s not like I didn’t enjoy myself at all, here are some of my con highlights:

Making Ed Sizemore Jealous –Uhhh, I mean, meeting Helen McCarthy:


Helen McCartney, anime scholar and, most recently, author of The Art of Osamu Tezuka: God of Manga, was the Fan Guest of Honor. She came out all the way from London to be at Anime Los Angeles and was on a large number of panels. I wished I could have caught a few more, but some were either on Friday (a day I didn’t attend) and others were on topics like one’s first trip to Japan (I’ve had my first trip already, and a second).  Still, I got a few minutes to chat with her about old school cosplay in the autograph room and I would have stayed and chatted longer if I wasn’t keeping someone waiting elsewhere. I hope she comes back to my part of the States again soon because she was also a delight on the How Technology has changed the Anime Industry and Anime Fandom Before the Internet panels I did attend.

Hetalia History:

Can you spot all the Hungary-chans?

This was the panel I attended for TOKYOPOP, not knowing what to expect from it. What I got was a witty evaluation of the in-jokes of Hetalia complete with clips from old British period dramas. Some people brush off Hetalia as a flaky introduction to history, but the truth is that there’s a lot more fact in the manga than people can easily see, something that panelist Walter Amos specializes in illuminating. Himaruya really does know his stuff and sometimes it’s not so easy to see amongst all footnotes and adorable personified countries. This panel is definitely for the history buffs in the fandom, that’s for sure, so it instantly appealed to me.

I wish I had more highlights to share, but I didn’t do much at Anime Los Angeles! It’s a very laid back convention about 99% of the time as it is.

Posted in manga, Uncategorized | Tagged , , , | 23 Comments

2011: A few manga and blog-related resolutions

Man, when was the last time I did any resolutions? I can’t remember, but I mostly thought they were for suckers waiting to be disappointed. Still, there are a few goals I’d like to set for myself this year and this is the traditional time of year to set goals for yourself, so here goes…

1. Get new glasses: OK, this isn’t a goal so much as a necessity, but considering my insurance doesn’t include eye care any more, it’s somewhat of a financial goal. This will not only improve my eyesight, it will also help make my career easier since now I have to stare at a computer screen to edit all of my manga. At least I have health insurance at all. I know many freelancers don’t and that makes me incredibly lucky. (In an odd way, because the reason I have insurance at all is because I was born with a congenital heart condition.)

2. Get more freelance work, a full-time or part-time job (in comics, preferably): Mostly, I just need to make more money to support myself. I don’t want to rely on my family forever and I’m pretty sure they don’t want to support me forever either. I’d love to get a part-time job working in a bookstore (comic book or just one that sells some comic books). In the mean time, I’ll just have to learn how to be better with the money I do have.

3. Start Japanese or Korean language classes: I’ve been putting this off because I frankly can’t afford it, even with a tax write-off. I’d love to be able to reach a point financially where I can start learning again because I think both languages will be a huge boost to my career.

4. Move the blog over to it’s own domain: I’ve been wanting to do this for awhile, but I have no idea how! No one I know (or, at least no one I know who can come over and teach me) seems to know how to do it. I’ve seen how WordPress-powered blogs work from only a contributor’s perspective, not from that of one who runs the entire look and feel of a site, not just the content.

5. Join an affiliate program: I spend so much time on blogging and I do get a lot back from it, but it would be nice if this blog was a small financial support as well. Even if it just paid for one manga a month, it would relieve my wallet some and I’d be happy. Think about it this way, you’d not only be supporting me, but the industry I work for. Hey now!

6. Write better posts: 2010 was a great year for All About Manga and I’ve figured out how to write posts people want to read on topics that people want to discuss. That part’s the easy part. It’s the continuing to write engaging posts on a regular basis that’s hard. So, of course, I’d like to improve my writing, especially as I don’t review much or really participate in what others call comics journalism. (I just like to comment on the news.) Any suggestions that spring forth from your mind are welcome.

7. Read more out-of-print manga: While there are plenty of fantastic titles out these days, I feel that I missed some of the excellence of manga publishing’s yesteryears because I was simply too cash-strapped and close-minded when I began as a manga fan. I’ve gotten the pleasure of reading some great stuff like Eagle, Beck, Princess Knight and others, but I want to catch up on what I missed!

So those are my goals for this year. Fairly simple. All things I really do want to do. What are your goals for the next year and how do they involve manga, anime or other passions?

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Guest Post: An Average Manga Consumer

David Hampton probably doesn’t want me to post his full name here because he likes to keep a low profile online, but he’ll have to suck it up for the sake of this post.  Dave is also a close friend of mine who graduated from my alma mater & beloved college anime club shortly after I started attending them. Fortunately for me, he got a job in the area, came back to hang out with the youngins and we became great friends. Dave is one of those guys who you can have endless and fascinating conversations with and he’s directly inspired two different posts here at All About Manga despite not being a huge manga otaku. So here is his post about being an average manga consumer, the hows, whys and what he’s thinkings.

P.S. I’m not going near Thai food for a year now. Or rice, watermelon or pineapple.

P.P.S. I did buy something that would suitably pass as pirate treasure.

P.P.P.S. Happy 2011, guys! Sorry for the dry spell, a lot of my initial volunteers for guest posts fell through. More posts from me when I’m not brain dead/jetlagged.

~~~~
Awhile ago Daniella sent a call out for guest bloggers to fill in for her while she was off circumnavigating the globe, presumably in search of pirate treasure or something equally good, like Thai food.  At first I figured I didn’t have much to say – I don’t work in the industry, I don’t really follow any particular publishers or personalities.  I’m basically just a normal manga consumer, and I don’t even consume all that much.  I just really enjoy a good book here and there.

But that’s exactly it!  Hi, I’m Dave, and I am a member of Your Target Market.  Today’s post will discuss the manga industry from the perspective of someone who loves it but doesn’t know much beyond “don’t start on the leftmost page.”

I sit squarely in what I believe is called the “long tail” of manga consumers:

The idea is that the majority of consumption comes from people who aren’t as dedicated, but show up in these huge numbers.  A bit like how zombies do actually, now that I think of it.

I’m going to run with that for a moment.

*Most Manga Consumers Act Like the Living Dead*
We masses don’t really have much of an idea of the consequences of what we’re doing or how we do it, we just focus on getting whatever it is that we want.  We come shambling into some bookstore, unkempt and disheveled, intent on getting our One Piece or Death Note or whatever popular title stands in for brains in this metaphor, and stopping at nothing until we succeed (or until something stops us).  Sometimes we make noise.  We aren’t the most pleasant market to interact with, largely because we hardly ever communicate back in any effective manner, but there are too many of us to feasibly ignore.  This is a subtle problem, one where marketing is more effective than shotguns.  This is the crowd that I believe I belong to.

*The Perspective of a Zombie Consumer*
I don’t buy a ton of manga.  Maybe a couple a month, three or four if I’m really enjoying a series or there’s a good deal.  I’ve completed a few titles but they tend to be shorter, usually around ten books.  I gave up on a couple of series’ once I saw how long they were and how much it would cost to finish them.  I choose bookstores based on which one I happen to be closest to when I decided it’s time to browse.  I’m certainly no expert on the subject, but perhaps I can offer a new perspective on things.

Here are my takes on a few topics:
*Finding New Manga to Read*
Without immersing myself in manga or anime culture, finding new manga to read is kind of a pain in the rear.  So I don’t.  The number one factor that introduces me to new manga is the recommendation of a friend.  This is how I got into every series I’ve ever read to completion.  It’s worth noting that it takes more than just the recommendation, there has to be some hook in the book itself to grab my attention and keep it.  In my case, this is generally one standout element that I happen to connect with.  Usually this is a main character that I immediately like, thrust into some moralistic situation that I find curious and interesting.  The first few chapters of Rurouni Kenshin, Saikano, and Battle Angel Alita are great examples of this, if you’re familiar with them.  All three of those were recommended by good friends, and so once I knew that someone like me enjoyed them I stopped worrying and got into that early hook.  I ended up buying the whole series each time.  In the absence of friends, I follow the path of least resistance: I browse store shelves when I’m already there.  Seeking out new properties can be fun, but I always feel a bit overwhelmed when I try, and the price of being wrong is about $9 times as many books as it takes me to figure this out.

This isn’t unique to manga.  Two of my other favorite things to consume, music and video games, also run into this problem, and for the same reason: one of the reasons they’re so good is that they’re expensive to produce.  And there are a ton of properties vying for attention.

To me, the obvious alternative to this is to buy inexpensive used manga, which can usually be found for about half price.  It’s definitely a solid legal alternative to taking chances on new books, but as far as publishers and authors are concerned, it’s a lost sale.  While I’ll certainly defend the existence of any used market, I can see why this would drive the people who make their livings on sales up a wall.  Video game companies are trying to sidestep this right now by packaging codes redeemable for online content in with their new sales.  Unfortunately, this considerably annoys consumers.  I have never bought such a game.  I can’t think of a good solution, unfortunately, and it may be that it’s just the reality of the market for the time being.

*Scanlations and Piracy*
I don’t read scans of manga.  It’s not because of some stance on the morals of the issue, but rather because I simply can’t be bothered.  All the books I want to read will be right there in the store next time I’m looking, and I prefer physical books anyway.

*SFX and translations*
At one point in my life I tried, unsuccessfully, to learn to read Japanese and Korean, so I usually like to try and read the native sound effects in manga.  But even when I can, they often don’t make any sense to me.  I understand “BOOM” and “KABLAM” a whole lot better than “DOOM” or “WANG” or whatever.  As much as I like to preserve the original properties of a work, the westernized sound effects do strike me as a smoother reading experience.

I really like the little translation notes that appear in the margins or at the ends of books.  I understand that sometimes a target page count is desirable for binding, due to mysterious processes of bookbinding that I don’t understand at all, but regardless it’s a nice kind of extra to find, particularly when it helps explain references or clever jokes that require a bit of context.  It’s a convenient help, especially if, say, you’re skipping history class to read Hetalia (what?).

*Print vs Digital*
There are only a few things I have with which I can comfortably curl up on the couch:

– A book
– A portable video game or PDA or something
– A girlfriend

Really only the first two are relevant to this discussion.  I personally find digital media to be nifty and convenient, but somewhat awkward.  I can’t say I’d prefer to read a good manga on a computer screen, partially for this reason and partially because my computer is slow and contrarian and chokes up whenever I try to scroll down a large-format image.  I feel like I’m not reading manga “properly.”  Interestingly, I have no problem reading quite a number of webcomics in their “original format,” even with these problems.  Reading them the way the author intended seems to be the most important thing for me, and so I probably couldn’t get that into digital manga distribution.  That said, I still enjoy reading webcomics when they publish as books, and intend to take a look into some digital manga publishing to see if I get into it.

Hopefully this has been a worthwhile perspective to read.  Please feel free to post any questions you might have and I’ll do my best to answer them.  Thanks to Daniella for printing this and to you for reading it.

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Webcomics Wednesday/Guest Post: 10 Tips for Beginners

Today, Tamar Curry is filling in for me with a fantastic list of basic tips for anyone thinking of starting a webcomic. Tamar has been creating webcomics since 2002 when he and some friends began Blue Zombie, a tale about adorable undead assistants. He then went on to briefly draw Silent Journey, which I wrote, and now works on Lumia’s Kingdom, a story about a girl who suddenly finds out that she is royalty and will be crowned as the first queen of a very  dysfunctional country. I promise you that despite the fact we’re dating, I didn’t force Tamar to write this post. (Or even suggest that he should.) He’s just awesome like that.

Take it away, Tamar!

~~~

So you say you want to do a webcomic?  Been kicking around this awesome story idea in your head for a few months?  Okay, a few days… Dare I even ask, more than an hour? Well, regardless, you can easily Google lots of info about what to expect when you start.
But I figure I could give you a bit more advice.  Cuz, ya know, maybe it’ll help you out a bit.
So, here are some things to keep in mind when starting a webcomic:

1) Draw as often as you can.  Comics are a visual medium and you need to be able to convey that through your art.  Your art doesn’t have to be perfect, it just needs to be consistent (and trust me, if you put effort in and draw frequently it WILL get better with time). Also, don’t get overly detailed with your art because you have to be able to draw scenes and characters over and over and over again.  Is your lead female wearing a very pretty and ornate dress to a dance? To start, make it look like an actual dress that a girl would want to wear, but don’t need draw evenly spaced patterns on every inch of the fabric.

2) Let people know when you’ve posted an update. Ideally, it should happen on a regular basis, but life doesn’t always go that way. In which case, you have several tools at your disposal for spreading the news when a page does get posted: Facebook, Twitter, email lists, etc. RSS feeds are a godsend.
3) Don’t let bad comments (or lack of comments in general) get to you. Lack of feedback doesn’t mean your work sucks and even if you get an email that says otherwise it doesn’t mean that it’s the end of the world. Also, just let things simmer down a bit before you send a reply to that guy who claims you have no sense of pacing and that your art makes his eyes bleed. The war of words ends fastest when you simply choose not to respond.

4) Have a backup plan.  Seriously, shit happens. If your site is hacked or the service goes down, have a way to communicate with your readers to let them know what’s happened. If you are collaborating and one person can’t pull through or leaves, it’s up to you to pick up the pieces (assuming you still want to continue the project).

5) Know the ins and outs of your hosting services. What you may be able to do on Comic Genesis might not be as easy to tackle on Drunk Duck or vice-versa. If you’re just starting out, it may help to first try a service that caters to webcomics and make sure to read the fine print to see if there’s any restrictions. If you’re more experienced in web technology, you may want to purchase professional hosting. In any case, know what your getting into and what you are capable of doing with your website and if you’re allowed to do it.

6) Just because you can doesn’t mean you should. Please don’t add “awesome” javascript-driven effects when I click on links. And no, I don’t care if it *is* the official soundtrack for when your work is turned into a movie, I don’t want to hear music play when I load up your site.

7) Design your website so that people can find what they want easily. When searching for links to pages becomes a scavenger hunt, you’ve failed. I will dedicate more of my attention to a webcomic with minimal page design  than one with an ornate website if the former is easier to navigate.

8) Tools do not make the artist. Contrary to popular belief, you don’t need the latest version of Photoshop and a Wacom Cintiq tablet to produce a webcomic. You don’t need Dreamweaver to construct a decent website. The things you will definitely need in abundance is patience and persistence.

9) Choose the scale of your comic wisely. Many people start theirs with the intent of telling a grand epic stretching some 500+ pages long only to find themselves quickly bored with it and finding excuses to pursue other projects. If you have a similar problem, it might be better to do short gag-a-day comics or something relatively non-sequitur.

10) Finally, keep in mind that you are making a webcomic for yourself as much as (or even more so) you are making it for others to read. If you find that putting out content is becoming more of a chore than you’d like it to be you need to step back and evaluate the situation. Perhaps you need to change it up a bit or go in a new direction. Perhaps you need to take a break. Either way, remember to have fun with what you’re doing. How you feel about what you do will be reflected in your work.

Posted in opinion, webcomics | Tagged , , , , , , | 11 Comments

Traveling With Manga

As I leave for my trip tomorrow, I find myself with a bit of a dilemma. Do I pack manga or not? I wish I could bring enough for the entire trip, but doing so would probably mean packing more than one suitcase and nowadays that’s going to cost a lot of money.

Still, I’ve tried really hard to bring a good library to keep me entertained. Once I did it for a month I spent studying Spanish in Havana, Cuba. I wound up giving half of my library to a Cuban comic book fan in desperate need of more current material and the other half got ruined by rain leaking into my bedroom. If I’m lucky, I’ll stumble upon manga during my trip. I remember when I went to Argentina and wound up stumbling upon Cardcaptor Sakura being sold at ordinary new stands in the street. But I’ve tried to stop bringing much manga on my trips because it’s simply tough to bring so many heavy books when your trips are as active as the ones I usually go on…

Nevertheless, It’s tough to go without a manga fix for a long period of time, so here are my suggestions. I’m going to base them on the length and nature of the trip, but first, a suggestion that covers any sort of traveling you might do:

If you have an e-reader or other device that can play anime or allow you to read manga (without wireless handy), load it up and USE IT.

Man, I wish I had an e-reader. Maybe next year.

Now then!

For most trips, but especially if you’re flying:

-Try to avoid bringing more than 5-10 manga if you can manage it. Manga is heavy and airlines like to charge for luggage when they can. Domestic flights are usually the worst culprits, charging for every piece of luggage check, but international flights will also charge if you go overweight. You’ll also want to pack light if you expect to be doing a lot or expect to be shopping. You’ll want room in your luggage for all your goodies.

-Try paperback light novels. They’re lighter than manga, but are written in similar style. There are more than a few out in English including Twelve Kingdoms, The Melancholy of Haruhi Suzumiya and the more mature Haikasoru line from Viz.

-Heck, try reading normal novels. There are a number of splendid books out there. I’m particularly fond of Terry Pratchett and his Discworld series at the moment, so I’ve gotten a bunch of his novels for my trip.

-If you’re studying Japanese, bring your dictionary and a couple of tankobon. It takes a lot longer when you’re trying to comprehend something in another language, so your entertainment value will be stretched further and you’ll improve your vocabulary!

For trips to conventions:

-I really only have one suggestion for this one- just bring some magazines for the trip over and then buy your fill of entertainment for the trip back. I always like to pack light for conventions anyway.

For boring trips to grandma’s:

-If you’ve got the space to do so, bring as much as you’d like to keep yourself entertained. But, if you can, see if you can’t get someone to take you to a local bookstore so you can stock up and only have to haul a heavy load one way.

-Sneak over to your cousin’s place, borrow their computer and read some digital manga. Oh, hey, look, here’s a bunch of FREE and LEGAL manga to read online.

That’s really it, there’s not a lot to packing manga for trips beyond common sense and a bit of cleverness.

And with that I’m off. You can look forward to a few guest posts in the next two weeks and perhaps a quick word from me when I can fit it in. Perhaps I’ll go looking for the Thai manga scene (I’ve been told they have one, but I’m not sure if Laos does) in between riding elephants and looking for tigers. 😀

(Yeah, I’m excited for the tigers and the elephants too.)

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Square Enix Launches Online Manga Store

Hey everyone, I just got this press release from Square Enix and thought I’d share. Normally I wouldn’t post just straight PR copy, but I don’t have the time to really sit and analyze it what with deadlines looming and packing for my trip tomorrow.

What I can comment on is that a) the price seems a little high to me, although I feel like $5.99 is around the digital manga industry standard price…And it’s only a SALE price? You mean it’s going to be higher than that normally? And b) you have to install something onto your computer in order to view the  e-books, which just seems very old-tech to me.

But still, this is just their launch, so perhaps Square Enix will figure out that perhaps they need to make some more changes. Like making the manga available on e-readers for that price…I hope manga publishers will soon recognize that manga buyers are going to want to KEEP their digital copies around.

Please let me know what you think in the comments section! (It looks like they’re bringing Pandora Hearts and Bamboo Blade out in January.)

SQUARE ENIX LAUNCHES ONLINE MANGA STORE

Market-leading titles including Fullmetal Alchemist and Soul Eater

Now Available Via Digital Distribution

Special Sale Price Now Available for a Limited Time

LOS ANGELES (Dec. 17, 2010) – Square Enix, Inc., the publisher of SQUARE ENIX® interactive entertainment products in North America, today announced the launch of its online manga store, where users and fans can view electronic editions of popular Square Enix manga series, such as Fullmetal Alchemist® and Soul Eater®. Users can access the store through the SQUARE ENIX MEMBERS website, a free-to-register membership site operated by local subsidiaries of Square Enix (http://publications.na.square-enix.com/na/us/top).

Through the new service, SQUARE ENIX aims to provide a global audience with easy access to localized versions of its popular manga titles through streaming. Also, through cooperation with regional localization/publishing companies, SQUARE ENIX will endeavor to promote both print and online versions of its manga titles globally. Furthermore, it is the company’s aim for the official online distribution service to serve as a deterrent against illegal downloading and piracy.

Anchored by established series in the United States, the online distribution service will continue to provide manga titles that will appeal to readers of the region (further details outlined below). Starting today, the initial lineup in the United States will be four titles, including Fullmetal Alchemist and Soul Eater, available at the special sale price of $5.99 for a limited time. The first update is scheduled for January 11, 2011. New titles will be added bi-monthly after January.

The community services offered through the SQUARE ENIX MEMBERS website will not only allow members to enjoy manga titles, but also supply a public forum where fans can provide commentary and exchange opinions about their favorite series. The site will also have special offers where members can download free wallpapers. Non-members can get a taste of the Japanese manga experience as well through free previews of the first chapters from each of the available titles.

Square Enix is dedicated to creating new entertainment experiences via online communities, shopping sites and other Internet-based business operations, and digital distribution of manga is one such endeavor toward that goal. The company plans to continue delivering a wide variety of content to an expanding global customer base through numerous outlets and multiple forms of media.

For details on the manga distribution service in the United States, please refer to the following:

Online Manga Store Details

Service Launch December 17, 2010
Fees and Pricing Special Launch Sale Price: $5.99 Note: Access to the online manga store requires registration with the SQUARE ENIX MEMBERS service (registration free of charge). Current membership: over 1,700,000 members worldwide (as of December 1, 2010).
Access to the free previews available on the preview site does not require SQUARE ENIX MEMBERS registration. Payment method is credit card only.
System Requirements Supported Operating Systems / Browsers Windows XP / Microsoft Internet Explorer 7.0 or above, Firefox 3.x Windows Vista / Microsoft Internet Explorer 7.0 or above, Firefox 3.x, Safari 3.x Note: The newest Adobe Flash Player plug-in (version 10 or above) is required for all browsers. Display 1024 x 768 resolution or higher Internet Connection ADSL or faster
Official URL http://publications.na.square-enix.com/na/us/top

About SQUARE ENIX MEMBERS

SQUARE ENIX MEMBERS is Square Enix’s free-to-register membership website. It currently has over 1.7 million members worldwide (as of December 1, 2010). Members have access to various contents based on Square Enix titles. Members can create their own profile page and interact with other members. (http://member.square-enix.com/na/)

About Square Enix, Inc.

Square Enix, Inc. develops, publishes, distributes and licenses SQUARE ENIX®, EIDOS® and TAITO® branded entertainment content throughout the Americas as part of the Square Enix Group. The Square Enix Group operates a global network of leading development studios and boasts a valuable portfolio of intellectual property, including: FINAL FANTASY®, which has sold over 97 million units worldwide; DRAGON QUEST®, which has sold over 54 million units worldwide; TOMB RAIDER®, which has sold over 35 million units worldwide; and the legendary SPACE INVADERS®. Square Enix, Inc. is a U.S.-based, wholly-owned subsidiary of Square Enix Holdings Co., Ltd.

More information on Square Enix, Inc. can be found at http://www.square-enix.com/na/.

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Wrap Up: The 2010 Great Manga Gift Guide is over!

Wow, isn’t this time of year busy? Everywhere I turn, people are preparing for various holiday festivities. It almost makes me happy to have gotten Hanukkah and my own gift guide out of the way earlier this month.

Still, a lot of manga bloggers worked long and hard on gift guides for a wide variety of manga lovers (or anime lovers, or comic book lovers, etc.) and we had a great turn out this year. You can check out the complete list of participants here. There might be some gift guides popping up, so if there are a significant amount, I’ll add a late-comers section.

Here are some of the gift guides that have been added to the list in the past week and a half:

Our latest contribution is from Jason S. Yadao of Otaku Ohana in the Honolulu Star Advertiser. I have no idea what his gift guide is like because he passed me a preliminary link for when the post goes up later tonight. Someone PLEASE tell me if the link doesn’t work. Knowing Jason, it’ll be a fun gift guide.

Next up is a gift guide for yaoi beginners from the Red Queen. I’m not sure I’d want to try and sneakily get someone into yaoi like that,  but I’d recommend reading a good number of manga on this list for sheer literary value and because I love them dearly myself.

Linda over at Anime Diet has a fun gift guide focusing on the recipients’ interests. Got a foodie or a pet lover? She’s got a few recommendations for you based on what your friends like reading.

Over at ComicAttack.net, Kristin has a gift guide that includes some of my favorite new manga of the year, including Twin Spica, The Story of Saiunkoku and Grand Guignol Orchestra.

Melinda Beasi of Manga Bookshelf focused on only on manga and manhwa that debuted in 2010, but her list is also full of great choices for the manga-loving ladies on your list. In case you were totally stumped on what you should get your gal pals.

On the other hand, Alex Hoffman of Manga Widget has a list full of selections good for manga-loving guys, but he doesn’t leave out some of the year’s top shoujo manga either.

Got someone who disses manhwa or OEL manga? Lori Henderson of Manga Xanadu has just the gifts to change their minds on her list as well as a few other choices that your recipients might have missed on the bookstore shelves.

That’s it! It’s only minutes until 12/16/10 and no one’s passed me a new link to share with you in a few hours.

The reason I volunteered to host and organize the 2010 Great Manga Gift Guides this year was because last year it was such a fantastic boost for my newbie little blog that no one knew about yet. I hope that in addition to getting great suggestions for your holiday manga shopping, everyone has found a new blog to read and love or felt the holiday spirit while participating in the Great Manga Gift Guide!

Happy holidays and here’s to another year full of great new manga to read!

Additional links:

Announcing the 2010 Great Manga Gift Guide

Week 1

Week 2

Complete Archives

My Shoujo Manga Gift Guide for 2010

 

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