The Manga Cliche Review: Musical Talent Part 2

I meant to talk about Beck in the last installment of this blog. I just couldn’t bring myself to write a good transition from my admiration of musicians to Beck, to be honest. My brain was kind of focused on getting homework done and I basically used that first TMCR entry as homework, so…

Beck: Mongolian Chop Squad

Beck: Mongolian Chop Squad


Beck: Mongolian Chop Squad! As far as I know it is a really good anime. I haven’t gotten to read the manga because, despite working at Tokyopop all summer, I did not get the chance to read it. Plus, it is one of the licenses Tokyopop lost because of Kodansha. BUT the anime is pretty damn good. It pretty much follows one young man’s discovery of rock music (pretty important stuff when you’re a teenager.) Honestly, I think it’s a good anime because it doesn’t just cover the surface of the music industry, but how music is important to the characters. (Or at least the main ones, anyway.)

But, unfortunately, I have to take this blog away from the good and into the bad…

The Bad: La Corda d’Oro by Yuki Kure, Viz Media

La Corda d'Oro

In addition to being a video game and a manga, La Corda d'Oro is also an anime. As you can probably tell from this picture, there is a slight male harem theme.


It’s never really a good thing when a story starts with a deus ex machina. In this case, La Corda d’Oro starts off with the main character, Kahoko, being visited by a fairy who pushes her to accept his magic violin and enter the school’s extremely tough music competition. There’s only one problem, Kahoko has never played a musical instrument in her whole entire life. This is all solved by the magical violin being, well, magical and allowing Kahoko to play beautiful music as long as she knows the tune and plays with heart. Of course, with her school’s music department being fiercely competitive and very separated from the general education school (where Kahoko is a student,) the whole idea of her butting into the competition doesn’t sit well with lots of people. Conflicts occur left and right and Kahoko must gain new skills in order to continue playing the magical violin.

I can sympathize with Kahoko, I know very very little about music, and being thrust into the musical world with huge expectations would probably make me cry like a baby. I would probably need years of practice to play the violin decently and even then I would be kind of crap at it because I just don’t have a good ear for music, which is pretty crucial. The problem I have with La Corda d’Oro, which is based off of a video game,  is basically that it takes something that takes years and years of training and reduces it to magic and putting your heart into it. No wonder so many people in the music school don’t like her, she got a free ride and now she’s taking the spotlight when they’ve worked their asses off to be so good!

Then the story relies on you sympathizing with Kahoko (easy enough, since she’s a classic self-insert character) to make you dislike most of the other characters you come across because they’re just BAD PEOPLE for being so gosh-darned competitive. Clearly, you should not be such an over-achiever because raw, untrained talent and magical instruments given to you by fairies is what you truly need to succeed in the musical world. Gag me, please.

Basically, I could accept the magical violin bullshit and turning every other character into a bad human being, if Kahoko spent the majority of the time practicing her ass off and achieving some epic revelations as to how good music works via the stuff musicians do to train themselves. Instead, she practices hard off-screen and we only see her dallying around with the other contestants learning random things about music from them and getting embroiled in serious, but rather petty dramas. Instead of being a strong character, Kahoko is the victim of anything and everything and really only triumphs with the usually indirect help of others.

It just makes me sad that what could be a very good manga about being thrust into the world of  competitive classical music is so pathetic. I mean, in real life, classical music is a world with a lot of passion and intense drama. Would that really have been so hard to purvey in both the manga or the game it was created from? No. So why not pursue that angle on the story? Because making it a light drama more about interacting with the other characters than actually winning the competition and gaining skills wouldn’t have sold quite as well. Ugh. Why did I spend my money on this series again?

See who does it better next time!

Part 3: The Classic: Nodame Cantabile

Review copies paid for by the blogger.

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Comic-Con creator, Shel Dorf, dies at 76

Shel Dorf

Comic-Con creator Shel Dorf

Comic-Con creator, Shel Dorf, died on Tuesday at Sharp Memorial Hospital in San Diego from complications related to diabetes according to this Los Angeles Times article.

Dorf, an avid comic book collector, started the convention in 1970. Only 300 people attended the first Comic-Con, but now the convention has grown to over 125,000 and is the leading comic book and pop culture event in the world. Now Comic-Con not only hosts comic-book geeks and creators, but major Hollywood studios, TV shows, celebrities and authors from every nook and cranny of popular culture.

While I wasn’t terribly familiar with Shel Dorf and his achievements before his death and I’ve only been able to attend Comic-Con once, I feel eternally grateful for what he created. Not only did he create a place for geeks like me to converge upon once a year to glut ourselves on our nerdy hobbies, but a culture of geeks getting together and appreciating what they love.

Comic-Con basically started a culture of interest-related conventions, especially within the sci-fi and fantasy communities, that eventually led to modern anime and manga geeks like me to have anime conventions. Like I said earlier, I’ve only been to one Comic-Con, in 2008, but I HAVE been to many many anime conventions.

Before Comic-Con, there weren’t too many pop-culture-related conventions. Now, San Diego Comic-Con International hosts two other conventions, Alternative Press Expo and Wonder-Con, and there are dozens of spin off Comic-Cons around the country. Then there are the anime conventions, which, while I can’t prove it, I am sure came of someone’s idea to create a Comic-Con for anime fans.

Conventions like these are some of the high points in my life. Not only do I get to unabashedly display my geeky interests with pride, but I get to meet tons of people who have similar interests, buy tons of cool stuff and meet the people who create the comic books and cartoons I love. I’ve got so many memories of conventions that I could go on for hours. I won’t because I’m sure no one’s really that interested. The point is, the conventions are really fun for so many people.

I know when I went to Comic-Con International 2008, I went with one singular purpose: to do everything I could that was even remotely related to my favorite show: Avatar the Last Airbender. I dressed up as one of the characters, met the creators and numerous people who worked on the show, I met fans whom I still speak to today and I got to meet a lot of other comic book creators I would have never dreamed of ever meeting before.  The autographs, pictures and memories I have from that convention will stay with me forever.

So, Shel Dorf, I thank you for creating something that makes so many people happy each year. I love you for it and have since I was 15 and attending my first anime convention. Rest in peace, man.  And thanks again.

Comic-Con International’s tribute to Shel Dorf

Shel Dorf Tribute site

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Data Visualization: Best Selling Graphic Novels of September 2009

Hi everyone!

One of my assignments for the class that was to do an alternative story form for this blog. I struggled a little bit with what I should do, but finally I decided on a data visualization chart!

While I would have loved to do the best selling graphic novels of 2009, we aren’t quite done with this year yet and 2008 seems a little old, so I chose to do a visualization on the best selling graphic novels of September 2009.

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Click on the picture to see the full visualization at Many Eyes!

Just to reiterate, I only created this visualization for educational purposes so it should be covered under fair use. I totally respect that this information belongs to Diamond Comic Distributors owns the rights to this information. If the original copyright holder of the information would like to confirm this with me or my professor you can e-mail me at dorihuel@calpoly.edu and my professor ,John F. Leach, at jfleach@calpoly.edu.

Please don’t sue me. T_T

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The Manga Cliche Review: Musical Talent, Part 1

Ok, normally I wouldn’t submit a product review post as a graded blog, but I’m feeling especially drained today and I still have a lot to do. (It’s 10 p.m. and I have to be up for an 8 a.m. class, so obviously I’m putting some priority on that glorious thing called sleep!) I’ll try not to do so in the future, but hopefully doing this entry will get me to post more review posts in addition to my news posts!

So now I’ll start off  The Manga Cliche Review by talking about musical talent or its sudden appearance in manga!

I don’t know why, but for some reason a lot of people become suddenly VERY TALENTED in manga. While most manga abusing this method tend to go in the direction of super powers or some such thing, there are a lot of manga involving strange musical talents.

A lot of manga come to my mind that have to do with sudden talent at singing, such as Full Moon o Sagashite or Skip Beat, but I feel like that the normal-girl-turned-pop-idol is a subject best left until after I get my hands on a copy of Mikansei No. 1. But in general, I wanted to focus on talent at playing music, not just singing, for this week’s cliche.

There’s just something about musical instruments that I respect immensely. I never learned how to play one and I find that I’m very poor at it whenever I try. Maybe I’m just being stubborn, but I probably won’t ever learn how to play an instrument and so I hold people who can in a certain kind of reverence. Obviously I admire manga characters who can play well too.

The Good: Detroit Metal City by Kiminori Wakasugi (Viz Media)

Detroit Metal City

An image from the Detroit Metal City movie. The manga, anime and movie are extremely popular in Japan.

Where do I start with Detroit Metal City? I’m actually not a fan of the death metal, let alone metal in general, so few would guess that I LOVE this manga. But Detroit Metal City, or DMC, isn’t really about death metal so much as the hilarious exploits of the main character Soichi and his utter lack of self- consciousness or self-control.

Soichi is the leader of Japan’s top indie death metal band, Detroit Metal City, under the stage name Sir Johannes Krauser II. Compared to Soichi’s typically polite personality and wishes to be a Swedish pop star, Krauser might as well be the devil. Krauser sings about killing, other violent acts and sex with absolutely no remorse. With his conflicting split personalities in tow, Soichi tries to get laid, re-connects with old friends and crushes, visits his family and rises to the top of the death metal world, all while trying to repress Krauser’s sudden urges and do what Soichi wants. Not only is Detroit Metal City a huge success, but Soichi’s efforts to break into the kind of pop music that he loves are complete failures.  Still, Soichi longs to depart from what he is good at and return to a life in the hip indie pop scene.

The reason I love this manga so much is because Soichi’s pathetic attempts to live a normal (actually rather boring and pitiful through the eyes of the reader) lifestyle just illustrates how much better he fits into the death metal lifestyle he abhors and is exceedingly good at. His shame over his success with Detroit Metal City invades his entire being and the frustration caused by this and his repressed sexual urges makes him go over the top and literally turn into Krauser at the most awkward, or opportune depending on how you think about it, moments.

This series is like watching constant schadenfraude in motion. Soichi doesn’t understand himself and never learns from his mistakes. He doesn’t understand what drives his alter-ego and he doesn’t know how to get out of his predicament (alhtough I doubt it would do him much good.) Seeing him turn into Krauser accidentally ( or some times on purpose) and screw up the life he wants is priceless. It’s like watching someone trying VERY hard to be cool, it’s sad, pitiful and terribly hilarious.

My only complaint about this series is that it sticks a little too much to an episodic format, which I feel doesn’t quite fit the manga. But, considering how Wakasugi uses the episodic format in order to illustrate Soichi’s personal life, I can forgive this.

The manga reviwed above was purchased by the reviewer with her own money. (Because she really doesn’t mind spending her money on this kind of manga.)

Coming up next: La Corda d’Oro

Some links to appease my professor:

Deb Aoki’s review of Detroit Metal City

Kuriosity’s review

TIFF’s review of the movie

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The Manga Cliche Review and New Blogging Regulations

Hey everyone, I’ve got a big announcement.

I’m going to be bringing my manga review blog, The Manga Cliche Review, over to All About Comics!

This blog is about reviewing a few manga that fall under a commonly used trope and will hopefully update throughout the week, changing topics with every three posts about a certain cliche. Not only will I include a good example of a certain cliche, but a bad one, a classical one and a little bit of history about the cliche’s use, if I can find some.

I made this decision partially because I’ve neglected the blog due to lack of free time and partially because I’ve decided I rather like All About Comics. So without further ado, a little talk about the new blogging regulations.

Sasuke

Here's what breaking the new FTC regulations will do to you.

I think the new regulations are a good idea. It allows review blogs to be more transparent about testimonials, like the advertising industry. None of the review blogs I follow found any serious problems with the new regulations. The writers simply said: “oh look, new regulations” and started posting where the material they reviewed came from.  Easy as pie.

Obviously, in order to review a product, I have to tell you where that product came from. It will likely only come from three places, since none of the comic book publishing companies recognize me as a reviewer. These three places include: buying from bookstores, borrowed from friends (or the Tokyopop library over the summer if I had nothing else to do that day) and  online scanlation sites (ONLY if  a comic book has not been published in the U.S. or I am hard-pressed to find copies nearby.) Nonetheless, I will be letting you guys know which of these three sources I procured manga from.

First, my material connections. I did intern for Tokyopop this summer. It was an unpaid internship and the only things of any value that I gained were a few free meals, some manga on the table for anyone in the office to take and a little (extremely useful) plastic fan. It was an awesome experience for me and, yes, I’m going to try to get a job with the company when I graduate, but I’m not quite there yet. I also interviewed for an internship with Viz, but nothing came of that.

Second, my typical results. This one confuses me a little, so bear with me if I’m not talking about the right thing. I’m not exactly hawking out any products here, I’m just sharing my criticism. I’ll be frank, I really DO like Tokyopop (or at least the people I worked with while there,) but the company has manga I don’t like. That being said, I like a lot of their manga. I also like a lot of Viz’s manga, a lot of Go!Comi’s manga, a lot of CMX’s manga, a lot of Del Rey’s manga and a lot of manga from other publishers. The publishers I just listed also have manga I don’t like, but, in general, I like manga A LOT. That’s why this blog and its various components are about comic books and manga. Still, I’m not trying to sell you anything from one particular company and I hope that is clear.

My news posts will not even be covered by these FTC regulations, but I figured I should at least talk about them a little because I’ll be moving The Manga Cliche Review over here and to let you know where I stand.

Here are some links to useful info and discussion of the new regulations:

How to Avoid Risk from FTC’s New Regulations for Bloggers

Jeff Jarvis and Matt Cutts on the New FTC Blog Regulations

Roundtable: FTC Guideline Ruling at ComicsVillage.com

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Graphic content in manga: one fan's experiences

In light of the recent controversy over Dragon Ball, I want to write a bit about the graphic nature of manga. While I can’t speak in terms of public controversies for the most part, I can speak from personal experience dealing with graphic content and having many different attitudes about it.

When I first got into anime and manga, I was only 13. It was like discovering a treasure trove because, for a young girl in the superhero-dominated world of American comics, shojo (girl’s) manga gave me everything my boy-crazy self wanted: comics with more involved romance than Archie & Friends.

This lead me to start drawing in the typical manga style. It was a great tool for me in many other ways. It cured my boredom, it gave me a creative outlet for art and writing and it helped me make a few friends. I drew everywhere. especially at school.

At first my classmates were curious, so I explained everything. Then they did their own research and found hentai. (Porn in anime and manga form.) Next time I started drawing in school, my classmates accused me of drawing porn and naked people, when I was just drawing the figures before drawing details like clothing. Out of understandable concern, I was brought into the principal’s office and made to explain. I was let go because I really wasn’t drawing porn, but then when I drew some characters kissing each other, I was called out by a classmate again. (I was pretty unpopular.)

The cycle of principal’s office visits repeated until I was banned from bringing my sketchbook to school. As a bored teenager just looking to draw out her tame little romantic fantasies (all my characters did was kiss), I was upset. No one was naked, no one was doing anything sexual, there wasn’t any innuendo either, but if one of my drawings wore a low-cut top, it was hentai. In fact, everything I drew was labeled hentai if one of my classmates caught sight of me doodling. I protested and tried to explain, but no one wanted to listen. This went on for all of eighth grade and high school. Like any parent would be, my mom was concerned for me. She did a bit of research on hentai and yelled at me not to look at such sick and degrading stuff. Despite the fact that I had never looked at hentai ever.

I felt so misunderstood, just like any other teen would have, but not for anything I had actually done wrong. (I still believe I did nothing wrong.) If you had asked me to read something that was actually hentai or was relatively graphic, I probably would have thrown a fit and tried to lecture you into understanding that “not all manga is like that!”

Fastforward to the present. I’m about to graduate college and I don’t draw as much anymore, but I still love writing comics and I’ve just completed an internship with Tokyopop, a manga publisher. And I spent the summer reading a lot of what some people would call porn.

I won’t lie. Some of it really was porn, but most of it just showed a lot more blood, tits and ass than a lot of people would consider putting in an NC-17 film. I really enjoyed it too, which is funny considering how being associated with hentai plauged me as a young fan.

Sure, porn can be degrading to women, (although the hentai I read usually involved gay men) but none of the manga I read really disrespected women. There are a number of real reasons to include nudity, sexuality or innuendo in a story.

Sometimes nudity was a plot tool, such as in Seikon no Qwaser, where the main character needs to “breastfeed” in order to use his powers. Nevermind the fact that the creators are notorious for anime and manga with buxom and scantily clad beauties who regularly find their clothes being ripped off, none of the women were really degraded. The nudity was there. Most of it was consensual, what wasn’t consensual was usually the work of a villain who was quickly defeated. The victim was just as quickly rescued, reclothed and good triumphed. It also served to re-connect the present story to that of the back story, as Seikon no Qwaser revolves around the search for an important painting of Mary Magdalene holding the baby Jesus, which technically makes the breastfeeding symbolic as well. Other than a tendency to show more cleavage, the manga doesn’t really get indecent just by flashing boob.

There is also nudity as comedy. A popular cliche involves a poor girl seen coming out of the bath naked by another character of the opposite sex (usually her intended love interest) or the girl seeing the boy naked in a similar manner.  This situation usually leads to incredible amounts of embarassment for both parties and other comedic moments involving the recollection of that scene. In Seikon no Qwaser, the above cliche is used and the girls playfully tease each other about their bodies while naked together. (Which is more common because of widespread communal bathing practices in Japan.) No one really gets assaulted by anyone else when comedic nudity occurs (Or if they do, it usually never gets anywhere and the assailant is beaten back.) and often offending body parts are artfully concealed.

On occassion there is just random nudity for little to no reason, like in Dragon Ball, where the main character regularly practices  martial arts nude. I could understand where this could be a cause for alarm if he was older (who’d want to see that, not even I unless it was covered up by a black bar or something.), but the character hasn’t hit puberty and his genitals are only drawn as a small lump (and an even smaller one inside) to represent his gender.  There is no detail or sexual connotation anywhere. It’s just a kid running around naked, much like we might run around naked in the privacy of our own homes.

Obviously, no one in Japan is bothered by these kinds of nudity, but Americans can be. I can understand this; there is little I find to be truly disturbing in manga, but out-right rape is one thing. I would not want to read a manga that showed me someone being raped, (if it was implied and I did not have to see it happening, I would allow it as part of the story) so it’s only natural that some people just don’t want to read a manga that shows a lot of breasts. Rather, the problem is usually that when nudity or other graphic situations are present in manga, an unfamiliar reader usually doesn’t take the time to understand why.

For example, the nude martial arts scenes in Dragon Ball could be a lesson for the character (and ultimately the reader) to be comfortable in his own skin. I have to ask here, is that really “graphic” content?  The “breastfeeding” in Seikon no Qwaser is not only a means to an end for the story’s hero, but it also acts as symbolism and connects the characters with the religious iconography that the story is centered around. It’s definitely suggestive and borderline sexual,  so it’s rated as mature and usually wrapped in plastic at bookstores so children don’t read it as easily. The post-bath nudity cliche not only provides laughs, but often advances the relationship and the plot further. There’s nothing sexual here either, just a flash of exposed chest at most. I find that all these examples more or less explain innuendo, gore and sexual content in manga as well. But again, these reasons serve a larger purpose.

There are definitely examples of manga that are degrading, senselessly violent and sexual, but I haven’t seen too many of them published in English. The U.S. manga publishing industry is interested in publishing what their customers want, but they’re also highly interested in publishing what is good. Usually overly degrading, violent and sexual manga don’t fit either description.

I chose to enjoy manga with graphic content as I became older because I can see its entertainment value and how it’s important in a story. It’s not important that a manga is showing me some nipples, it’s making me laugh because the character did it to shock some other characters and their reaction is hilarious. I find that it pretty much is just the characters being true to themselves. Just because we, as Americans, don’t want to see Janet Jackson’s boobs flashed at us, (which was an uncontrollable accident) doesn’t mean we have to ban exposed breasts everywhere. It comes down to quantity v. quality. There’s a lot of chest being shown throughout all the various forms of media, but we don’t have to get rid of the chests that are shown for good reason.

Sure, my argument isn’t flawless. It’s a lot of opinions, which are easy to disagree with. Simply put, I’m not right or wrong here, neither is anyone else. In the end, no side should be attacking the other, but making it so that those who shouldn’t be exposed to graphic content are not. Bookstores should check the ratings of everything they sell at the cash registers in order to ensure that those ratings on the back aren’t more or less useless. They should check ID if they have to. Libraries should be carefully reviewing what they stock and who rents it out. They don’t have to stock anything above a certain age rating and they could use library cards to check the age of children checking out manga against a book’s rating. But everyone should be aware that there will be some T&A out there, no matter what they do to stop it.

My friend Chris sent me this tweet shortly after I posted this entry: blahhearts Fascinating! Fun fact: My library cuts panels out of manga. (Dragonball was the first place I noticed it.) Not a bad compromise.

Wow, that’s a little extreme.  Cutting out the panels would pretty much destroy multiple panels on the other side of the page! (Not to mention the flow of the story, etc.)

Does anyone else have stories of what their libraries have done to censor “graphic” manga? I’d love to hear it and include it in this post.

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Astro Boy manga for iPhones/Dragon Ball banned from Maryland library

There’s been a plethora of manga news lately so today’s blog consists of a double dose!

Astro Boy manga coming to iPhones

An Astro Boy stamp from Japan

An Astro Boy stamp from Japan.

aicnanime Astro Boy manga to hit US iPhones

Seeing this headline on Twitter shocked me a little bit, but it was quite a happy shock! Although I don’t have an iPhone, I would LOVE to read manga on one if I did!

The best thing about Astro Boy being released for iPhones is that the “volumes” will be only 99 cents for 100 pages of  classic Tezuka goodness, although the first volume will be free. The developers will release the iPhone manga one week at a time and also plans to release other works by Osamu Tezuka, including Black Jack and Phoenix.

This will be an important experiment in manga publishing in the U.S. as manga for mobile phones are already extremely popular in Japan. Will it succeed here? I don’t know since Japanese teenagers live on their cell phones much like American teens live on Facebook.

If it does it could blow stuff like Amazon’s Kindle and Barnes & Noble’s brand new Nook out of the water in terms of graphic novel sales. Plus, iPhones are a lot cheaper and a lot more accessible than either book-alternative device so far.

AFP article on Astro Boy manga on U.S. iPhones

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Dragon Ball pulled from Maryland school library for nudity and sexual situations

dragonball

Dragon Ball was recently pulled from a Maryland school district's library for explicit content.

Censorship has been an important issue in the U.S. manga community. There is a very very large difference in Japan’s culture and ability to accept certain things, like nudity and quasi-sexual humor, that is not as acceptable in American culture. This isn’t the first story about parents outraged so-called explicit material in comic books, cartoons and video games. Dragon Ball is just one example and unfortunately its was originally aimed at kids.

A copy of Dragon Ball was checked out of a Wicomico, Maryland library by a nine year-old boy. The explicit content was discovered by his mother, who complained to the school district. Now the school district is removing the entire series.

This is what one school district council member said at the meeting in this article:

“In cartoon format, it depicts nudity, sexual contact between children and sexual innuendo among adults and children,” Holloway told fellow council members during the comment period of Tuesday’s meeting.

“The drawings and story lines are disgusting,” Holloway said of the book.

As a manga fan who has taken the time to understand the subtle differences in culture, I can understand where certain manga get too close for comfort and should not be read by kids. I can also understand how these parents and school district officials feel when they find material they don’t understand being read by their young ones. What I can’t understand is how this nine year-old child was allowed to check out a book that was CLEARLY rated for ages 13 and up.

Manga is a unique media because it is made for anyone and everyone. IN JAPAN. This all-for-one-and-one-for-all marketing strategy doesn’t always work in the U.S., but that is why we have safeguards like the ratings system. U.S. publishers try their best to mark their manga appropriately so that parents can avoid situations like this. (I know because I recently interned for one such publisher.)

These ratings are not a mystery. Parents fought very hard many years ago to establish this system, so is it a manga’s fault that no one knows to turn the book over and look at the rating on the back? I think so. This should be something taught to parents when their kids grow old enough to read. I’ve personally given mini-lessons to parents in the manga aisle of a bookstore on how to find appropriate choices for their little manga fan. They were relieved that it was that easy.

The ratings bring me to another, more opinionated point. Childhood nudity is not always pornographic. It certainly is not in Dragon Ball. The nudity is natural, i.e. taking a bath, and the sexual jokes and innuendo is nothing a curious 13 year-old boy would not likely do on his own. The problem here is that someone let a nine year-old check out a manga meant for an older and more mature child and now the book is being removed from the library because of it.

An opinion piece on this incident and censorship in manga.

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